SOMEWHEN BALLET SOLO
‘Somewhen’ is a solo ballet written by Martin Slidel. It was conceived (and given a live reading) in 1995 for a ‘Writing For Performance’ assignment, at the then School of Visual and Performing Arts (Brighton, UK). During this period, Martin also workshopped choreographed ‘games’ for a unit in Modern Dance. ‘Somewhen’ is written for a trio of speaker, dancer, and pianist. This short piece incorporates performance poetry with dance and a live piano score.
“I used the term ‘The Ballerina’ because my mental image was a feminine form in traditional costume, relative to the possessive term used in the text (which may be changed). The theme relates to trauma following the loss of a partner, also in traumatic circumstance (not indicated if accidental or deliberate). This is metaphoric with an emotional – and likely actual – experience of uprootedness and homelessness.”
“At time of writing, I had considered an audio recording of ‘sounds of the city’ to be faded up and down between acts, although it is not mandatory.”
“I hear all sounds as they are tuned to their uses...
sounds of the city and sounds out of the city...”
– Walt Whitman
ACT ONE
A blue light illuminates Mr Speaker who is seated on a chair and is wearing a grey raincoat.
Stage-left is situated a piano. The Pianist enters to sit at the piano.
Mr Speaker:
I can feel something new
Something fresh
Rising inside of me
I can see through the glass
Where I wiped the mist
To the cold and the wet
To the cars and their light
They come and they go;
Stars of the night
Have come and have gone
The light changes to orange.
Mr Speaker:
Water darkens colour
Winter crushes summer
Underfoot memoirs of
A charcoaled stem that held
A peachy haze aloft
Leaking iron into stone
Water will wash
Mr Speaker pauses.
Mr Speaker:
The deepest cut of all is
I remember
What it was to be
Clean and in bed
The Ballerina enters stage-left and dances around Mr Speaker whilst The Pianist performs ‘Somewhen 1’.
The Ballerina poses behind Mr Speaker; head resting on hands in a posture of sleep. The music ends.
Mr Speaker:
But I have forgotten
The dreams that did precede
If I don’t regain them
Then my wounds will freeze
Mr Speaker rises and turns to push the Ballerina to the floor.
As the light changes to red, the music (‘Somewhen 1’) reprises.
The Ballerina lies motionless.
Mr Speaker:
Life has only given me
Time to think
I made the choice to be free
I can’t blame God
For my mistake
Nor leave my messy knife
Upon the altar
Grandfather said we each ate
A pound of dirt
Before our death;
I don’t wish
To follow his trait
Mr Speaker rises and lifts the chair forward, placing it over The Ballerina.
The chair is now behind the red light.
Mr Speaker sits on the chair.
Mr Speaker:
Is this all that keeps me weaving
Upon my fading tapestry
Stitching onto life
Stronger with every thread
I won’t let it pass
The music stops.
Light fade.
< Sounds of the city. >
ACT TWO
The blue light fades-up.
The Pianist performs ‘Somewhen 2’.
The Ballerina enters stage-right. She skips in circles before assuming a stationary pose.
The music ends.
Mr Speaker enters back-stage and walks up behind The Ballerina. Mr Speaker embraces The Ballerina from behind.
The duo exit back-stage by walking backward, swinging their arms as The Pianist reprises (or improvises upon) ‘Somewhen 2’.
< Sounds of the city. >
ACT THREE
A blue light illuminates the piano.
Mr Speaker is sat at the piano. He begins to softly pick-out random atonal notes.
An orange light then illuminates The Pianist, sat cross-legged on the floor with hands on head.
Mr Speaker stops playing.
The Ballerina enters stage-right and slowly circles The Pianist.
Mr Speaker [With strong, clear voice]:
Freshness on my face
Hair trailing behind
And the voice of Gabriel
In my ear to remind
It’s only water
Dripping off my nose
I’m enjoying the rain
I could cry
And no one would notice
The Ballerina gradually increases speed.
Mr Speaker:
S’ far away
From the days of sun
And golden jewellery
Like the weather when
I left my blood on their files
The Ballerina stops. She waves at Mr Speaker.
Both lights dim.
< Sounds of the city. >
ACT FOUR
A blue light illuminates the piano.
The Ballerina is sat on top of the piano, wearing a white raincoat.
The Pianist sits at the piano, hands in lap, with the piano-lid down.
Mr Speaker stands centre-right.
Mr Speaker:
I loved her sitting
At the top of the stairs
In her white dressing-gown
With her legs bare
The blue light cuts out.
Mr Speaker is fully illuminated in an orange light.
Mr Speaker unbuttons the grey raincoat and lets it fall to the floor. He is wearing a white T-shirt on which block-printed is the word METHOD.
Me Speaker:
I opened the door,
In that moment I froze
Her body tumbled
Down the stairs
Bleeding
Red
Cutting
Knocking
Bruising
Her beautiful head
Lights down.
< Sounds of the city. >
ACT FIVE
The Pianist plays ‘Somewhen 3’.
The set is diffused in a red light.
Mr Speaker is seated on the chair. The Ballerina lies underneath the chair.
Three white pin-lights fade up at points around Mr Speaker.
Mr Speaker:
How weak I once was
When it would only
Have been so easy
To let in the love
Why should I expect
Returns from my neglect
One pin-light fades.
Mr Speaker:
I want to break through
The clouds, and touch the sun
But I know my hands will burn
We’re holding hands
To make a bridge
If we let go
So much water has passed
We will drown
A second pin-light fades.
Mr Speaker:
I wipe the saliva
And with it my colour
My face becomes grey
I am only
A tome of words
With nothing to say
For all that you gave
I now retain...
The last light fades.
The Pianist reprises ‘Somewhen 3’ during which Mr Speaker stands as the red light fades.
< Sounds of the city. >
ACT SIX
The set is lit in a white light.
The Ballerina enters and free-dances around the stage. The Ballerina holds a flame-coloured pennant on which block-printed is the word FREE.
The light fades at The Ballerina’s signal.
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